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  • Salsa

    Salsa is a syncretic dance form with origins from Cuba as a major original American meeting point of European and African cultures. Salsa is normally a partner dance, although there are recognized solo forms such as solo dancing "suelta" and "Rueda de Casino" where multiple couples exchange partners in a circle. Salsa can be improvised or performed with a set routine. Salsa is popular throughout Latin America as well as in North America, Europe, Australia, and some countries in Asia and the Middle East. It is fast becoming a global phenomenon.

    Salsa movements originate from the Cuban Son dancing of the 1920s, and more specifically through the beat of Son Montuno with strong influences from the dance of Danzon, Mambo, Guaguanco and other Afro-Cuban folkloric dancing. Today's Salsa dancing is a rich blend of Latin-American and Western influences. Other dance styles that have influenced today's Salsa include Western and Ballroom dancing. Salsa traces a 90-year history in which there are numerous evolutionary paths, sometimes split due to political and social influences. As a result, today there are various distinct styles of Salsa dancing, namely Cuban ("Casino"), New York Style ("Mambo on 2"), Los Angeles Style ("On 1"), Colombian Salsa ("Cali-Style") and Miami-Style Salsa. Salsa is typically a partner dance, although there are recognized solo forms, line dancing (suelta), and Rueda de Casino, where groups of couples exchange partners in a circle. Salsa can be improvised or performed with a set routine, choreography and freestyle.

    Typical big band arrangements of the swing period are written in strophic form with the same phrase and chord structure repeated several times. Each iteration, or chorus, most commonly follows Twelve bar blues form or Thirty-two-bar (AABA) song form. The first chorus of an arrangement typically introduces the melody, and is followed by subsequent choruses of development. This development may take the form of improvised solos, written soli sections, and shout choruses. An arrangement's first chorus is sometimes preceded by an introduction, which may be as short as a few measures or may extend to chorus of its own. Many arrangements contain an interlude, often similar in content to the introduction, inserted between some or all choruses. Other methods of embellishing the form include modulations and cadential extensions.

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